The HD trailer for next summer’s “G.I. Joe: Retaliation” hit last night. I’ve watched it about 20 times already and caused Melissa to lament that she had “married a man-child.” So, yes, the trailer is awesome. It has explosions. It has Storm Shadow. It has Rattlers. It has a proper-looking Cobra Commander. And it has Snake Eyes fighting ninjas on the side of a mountain. June, 2012, can’t get here fast enough.
So, tonight I finally watched “Primer,” which has been in my Netflix instant-view queue for a long time.
Short version: Two engineers working on a hobby project in their garage accidentally invent a time machine. All hell breaks loose.
Long version: I don’t even know where to begin. This movie was fun and challenging and quite nearly impenetrable; even reading a bunch of stuff about the movie afterward (including a 17-page examination on the film written by a master’s student somewhere) only marginally helped clarify what I’d seen. I first heard of this movie on some random blog post listing the “10 greatest mindfuck movies of all time,” and “Primer” most certainly fits the bill.
“Primer” certainly isn’t a mass-audience movie by any stretch of the imagination, but if you enjoy challenging films that require your undivided attention, and are even a little bit curious about how traveling through time might actually play itself out, I think there’s a lot to like about this movie.
Mel and I knocked out three movies this week – we joined the 21st century and rented our first three BluRay discs. PS3 + mega-clearance on a 37″ LCD = we’re finally living in the present, home entertainment-wise. 🙂
Gran Torino [IMDB | Rotten Tomatoes]
We missed this in the theaters and had been waiting patiently for the DVD; it was worth the wait. This was an incredible movie, even though I thought it suffered a little by a poor acting job by the kid who tried to steal Clint Eastwood’s car — particularly the scene at the end when Clint locks him up to go off to do his ultimate good deed. The kid just didn’t sell well enough his anger about being caged and missing out on his moment of revenge. Honestly, though, that’s a minor nitpick for what was otherwise an absolutely fantastic movie. Eastwood was great; the girl who played his next door neighbor, a person who ultimately pulls him not only out of his racist shell but offers an avenue for the general redemption of his life, was really good. The ending was also completely unexpected (not the final final scene; everybody knows who’s getting the car, and it’s not the bitchy granddaughter). Well worth the price of a rental, and then some. This is an amazing film.
Revolutionary Road [IMDB | Rotten Tomatoes]
Absolutely boring and a huge letdown, especially having just recently seen an exceptional Kate Winslet movie from basically the same time, “The Reader.” The performances by Winslet and Leonardo DiCaprio felt very melodramatic and over-the-top; it felt better suited as a play. The ending was completely pointless and changed the whole tone of the movie in one turn of a hearing aid knob – rather than just being a tale about the difficulties that came with DiCaprio having to deal with a wife who had mental issues, the ending turned the entire movie into a cautionary tale about marriage being a trap that breaks the spirits of men. It was awful.
Changeling [IMDB | Rotten Tomatoes]
A powerful, incredibly-acted movie that I felt suffered by being entirely too long. At 2:20, it seriously plodded – especially in the front third. Too much exposition, too much time spent in the insane asylum, too much time developing the storyline of the serial killer. There was great effort here to tell the entire story – and it was very well-done. It just got to the point that it felt like the movie was trying to be too much. Angelina Jolie is really good; John Malkovich is fantastic, as always; the guy that used to have that sitcom on FOX where he’d sit in the basement, get hammered and talk to his friend the invisible rabbit was fabulous as her eventual high-powered attorney; and the kid who ultimately leads the police to what was the true fate of Jolie’s son was *really* good. I just felt the pacing of the movie was off, particularly compared to Gran Torino; both were directed by Clint Eastwood, but Gran Torino is a superior film in just about every way. Better paced; I was more involved with the characters; just a more enjoyable film. Some of the things that befall Jolie as the LAPD is out to persecute her for standing up to them are genuinely difficult to watch; it could be those negative feelings had something to do with my opinion of this movie.
Still, Changeling is very good; I’d have no problems recommending that you see it. It’s still, by a significant margin, the middle of the three movies we’ve seen this week though. Gran Torino stands far above, and Revolutionary Road far below.
The cinema redeemed itself yesterday in a big, big way. After sitting through two hours of the disastrous “Terminator: Salvation” on Friday, I rebounded in a big way by seeing “Hangover” yesterday with Melissa.
Having seen a little about this movie on-line beforehand, I figured it’d be worth watching. It’s so far beyond simply “worth watching”; it’s genuinely one of the funniest movies I’ve ever seen. To oversimplify it, it’s a combination of “Bachelor Party” and “Dude, Where’s My Car?”packed full of ridiculous and hilarious cameos. This is one of those movies that we’ll watch forever. We’ll assuredly buy it immediately on DVD and will do things like watch it three times in one night, guaranteed.
I won’t say much about it; just go see it. And when you do, stick around for the first two minutes or so of the credits.
Just… No. Stop it. Come up with your own idea for a movie, or stay home. Leave the classics alone. No movie with Predators in it other than “Predator” has been worth watching anyway. So just stop it.
Predator Getting Remade, Pluralized.